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Jwagner

Bach -- Missa in F, BWV 233 - 5. Quoniam

Jwagner

4:41	Est. Play Time
104	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	27	10	3	100%
Violin	31	12	5	93%
Alto	20	8	7	67%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	27	10	3	100%
Violin	31	12	5	93%
Alto	20	8	7	67%

Brahms -- Neue Liebeslieder, op. 65 - 5. Wahre, wahre deinen Sohn

Jwagner

1:24	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	9	5	84%
	27	0	11	4	82%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	9	5	84%
	27	0	11	4	82%
	27	13	12	2	95%
	17	33	8	3	98%
Alto	15	0	6	5	92%

Vivaldi - Gloria (RV 589) -- 8. Domine Deus. Agnus Dei

Jwagner

2:40	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	12	3	5	40%
	21	0	5	4	30%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	12	3	5	40%
	21	0	5	4	30%
Alto Solo	13	0	5	5	60%
Alto	6	0	2	3	35%
Bass	12	0	3	3	35%
Soprano	8	0	3	3	35%
Tenor	9	0	3	3	35%

Ave verum corpus - Mozart

Jwagner

2:42	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klaver	21	0	6	7	100%
	25	0	8	5	98%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Klaver	21	6	7	100%
	25	8	5	98%
Cello	19	7	5	100%
Viola	14	3	4	100%
Violin 1	20	5	7	100%
Violin 2	16	5	5	100%
Alto	9	2	6	83%
Soprano	14	5	6	83%
Bass	15	6	4	80%
Tenor	10	2	6	80%

Weihnachtsoratorium - No. 26 - Lasset uns nun gehen gen Bethlehem

Jwagner

0:42	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	23	0	8	4	100%
	23	0	8	4	100%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	23	8	4	100%
	23	8	4	100%
Violins	11	3	6	93%
	23	8	4	100%
Contrabasses	18	5	4	100%
Tenor	15	5	5	100%
Violas	15	5	5	100%
Oboe	11	3	6	93%
	12	3	4	89%
Bass	14	4	4	93%
Soprano	11	3	6	93%
Alto	12	4	4	89%

Messiah - Händel - 1.04 And the Glory of the Lord

Jwagner

4:28	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	29	0	4	5	99%
Violin	19	0	3	5	79%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	29	4	5	99%
Violin	19	3	5	79%
	17	2	5	75%
Viola	17	4	5	77%
Alto	11	2	5	75%
Tenor	11	2	5	72%
Bass	16	3	5	63%
Soprano	13	2	5	63%

Messiah - Händel - 2.40 Why do the nations so furiously rage together

Jwagner

3:12	Est. Play Time
96	Measures
	1,198Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	21	0	6	4	100%
Kontrabas	21	0	6	4	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	21	0	6	4	100%
Kontrabas	21	0	6	4	100%
Violin	30	77	11	6	83%
Bass	16	0	5	9	79%

Messiah - Händel - 1.11 The people that walked in darkness

Jwagner

3:29	Est. Play Time
64	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	25	9	5	100%
Violin amp;amp; Viola unison	31	12	7	100%
Bass	23	9	8	83%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	25	9	5	100%
Violin amp;amp; Viola unison	31	12	7	100%
Bass	23	9	8	83%

Messiah - Händel - 2.26 All we like sheep have gone atray

Jwagner

4:23	Est. Play Time
92	Measures
	1,154Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	26	0	7	5	100%
Violin I	21	0	5	7	90%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	26	7	5	100%
Violin I	21	5	7	90%
Violin II	25	7	6	87%
Sopran	17	4	7	85%
Tenor	15	4	6	83%
Alto	14	4	6	79%
Viola	20	5	7	79%
Bass	18	6	6	77%

Messiah - Händel - 1.09 O thou that tellest good good tidings

Jwagner

1:19	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	0	4	4	100%
Violin I	23	0	4	5	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	19	4	4	100%
Violin I	23	4	5	100%
Violin II	23	4	5	100%
Viola	19	4	3	96%
Soprano	11	1	5	73%
Bass	14	2	4	67%
Tenor	9	1	5	67%
Alto	10	2	6	64%

Messiah - Händel - 2.36 Thou art gone up on high

Jwagner

4:29	Est. Play Time
127	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	21	6	5	99%
Bass	17	6	6	73%
Violin unison	31	12	6	64%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	21	6	5	99%
Bass	17	6	6	73%
Violin unison	31	12	6	64%

Messiah - Händel - 2.43 Thou shalt break them

Jwagner

2:37	Est. Play Time
74	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	21	6	4	100%
Violin unison	30	11	4	88%
Tenor	14	3	5	68%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Kontrabas	21	6	4	100%
Violin unison	30	11	4	88%
Tenor	14	3	5	68%

Missa in F - Cum sancto Spiritu - J.S. Bach

Jwagner

3:12	Est. Play Time
112	Measures
	1,208Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	34	0	11	5	100%
Violoncello	27	5	10	5	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	34	0	11	5	100%
Violoncello	27	5	10	5	100%
Oboe	22	8	6	8	94%
Violin	25	9	8	6	93%
Tenor	16	0	5	5	87%
Bass	18	0	6	6	84%
Alto	15	0	5	6	80%
Soprano	16	0	5	6	77%

Weihnachtsoratorium - No. 21 - Ehre sei Gott in der Höhe

Jwagner

2:36	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	6	7	100%
Contrabasses	25	0	8	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	6	7	100%
Contrabasses	25	8	5	100%
Tenor	18	7	7	98%
Soprano	17	5	8	97%
Bass	20	7	5	95%

Bach -- Christ lag in Todes Banden - BWV 4 - 6. Versus 5

Jwagner

3:24	Est. Play Time
96	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	0	6	5	100%
Bass Solo	22	0	7	5	89%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	21	6	5	100%
Bass Solo	22	7	5	89%
Violas	16	4	5	83%
	18	6	5	83%
Violins	23	6	6	83%
	16	6	5	83%